For middle- and high-school orchestra directors

Give your orchestral bassists a path into jazz.

A guided introduction to thirds, chords and scales, with keyboard practice and teacher-reviewed pass-offs. Help students build their harmonic foundation, even if jazz bass isn't your specialty.

Students practice on the onscreen keyboard and play pass-offs on a real piano or keyboard.
Request teacher access opens an email to denisse@jazzbass.app asking for a teacher account.
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Major 3rds
CIRCLE OF FOURTHS
C–E
F–A
B♭–D
E♭–G
A♭–C
D♭–F
G♭–B♭
B–D♯
E–G♯
A–C♯
D–F♯
G–B

Why a piano? It shows every note of a chord at once, so students see and hear what's inside it, then bring that back to the bass. No piano experience needed. More on why piano

A bassist wants to join jazz band next year.

They can read their orchestra parts, but following chord symbols brings a new set of questions. This course gives you a sequence to guide their practice and a clear way to check their progress.

A Major 3rds recall lesson: the prompt B♭3 major third in bass clef, with B♭ and D selected on the onscreen piano What teachers see
SAME CHORD TYPE · DIFFERENT SHAPE EVERY TIME
F7
F–A–C–E♭
B♭7
B♭–D–F–A♭
E♭7
E♭–G–B♭–D♭
A7
A–C♯–E–G
BASS CLEF → NOTE NAMES → PIANO KEYS → SOUND
Why piano?

Learn the notes, not just the shape.

On bass, a student can slide one fingering to any root and play a B♭7 arpeggio without ever thinking B♭–D–F–A♭. At the piano, F7, B♭7, E♭7 and A7 each use a different mix of white and black keys. There's no single shape to lean on, so students learn what's inside each chord.

That's what they'll need when a chord symbol goes by on a lead sheet. The piano is a learning tool, not a second instrument: everything is in bass clef, and the app shows which keys match the written notes until students can find them on their own.

Students learn and practice. You verify their progress.

Every harmony level works the same way, from Major 3rds to dominant 7ths.

i.

Learn the notes

Two new musical keys at a time, in bass clef. The onscreen piano plays each chord and shows where its notes are, until students can find them on their own.

ii.

Practice around the circle

Every chord type follows the same path, the Circle of Fourths through all 12 keys, the way jazz harmony often moves (think ii–V–I). Each review covers every key learned so far.

iii.

Show it at the keyboard

Students play the whole circle on a real keyboard, record a video and submit it. You review it, and a pass unlocks the next chord type.

Pass-offs

Know the notes well enough to keep moving.

You learned your times tables so you wouldn't have to work out 7 × 8. Chords work the same way: a bassist shouldn't have to calculate the notes in the middle of a tune.

For each harmony level, students work toward playing the complete Circle of Fourths correctly on a real keyboard in 12 seconds or less. The online drills show them when they know the material, and they log practice times as they work toward the goal.

Major 3rds
PASS-OFF
Knowledge
Mastered ✓
Personal best
13.4 sec
Pass-off goal
≤ 12.0 sec
Status
Getting close
The curriculum

Two tracks, side by side.

Harmony and scales run in parallel from the first week. Each harmony level unlocks after a teacher-reviewed pass-off; scales move at the student's own pace.

Harmony
I
Thirds
Major 3rds first. Pass them off, and Minor 3rds unlock.
II
Triads
Major and minor triads in every key.
III
Seventh chords
Major 7ths, minor 7ths and dominant 7ths.
Included in the harmony track
Understand chord symbols
Connect symbols such as Cmaj7, Cm7 and C7 with the notes that make up each chord.
Scales · in parallel
Major scales
Every major scale, in the same Circle of Fourths order — learned alongside the harmony track, not after it.
What this prepares students for

Ways to apply this knowledge after the course. They aren't lessons in it.

Chord changes and walking bass lines
Using chord tones to follow the changes and build walking lines.
Standards and improvisation
Playing tunes from lead sheets and, eventually, improvising over them.
For orchestra directors

See where every bassist is.

The curriculum carries the sequence. Enroll students, see which harmony and scales unit each one is on, check recall accuracy, and review pass-off videos — approve, or ask for another attempt. It works for one curious bassist or a whole section.

Bass section
PROGRESS
STUDENT
HARMONY
SCALES
PASS-OFF
Alex
Major 3rds
B♭ major
Pending
Jordan
Minor 3rds
E♭ major
Passed
Taylor
Major triads
F major
—

What getting started takes.

Students join through their teacher. There's no student sign-up: a teacher adds each student to a class.

Teachers
  • Request teacher access opens an email to denisse@jazzbass.app asking for a teacher account.
  • Once your teacher account is ready, sign in with Google, create a class and add students using the Google email addresses they'll sign in with.
  • Track progress and review pass-off videos from your dashboard.
Request teacher access
Students
  • A Google account your teacher has added to a class
  • A web browser. Practice uses the onscreen piano, with sound.
  • A real piano or keyboard, and a phone or camera to record pass-off videos

Start with two notes.

C–E, then F–A. The rest of the circle follows, one key at a time.